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Title: AQA Power and Conflict Poetry Notes + Unseen Poetry
Description: A powerpoint covering each poem in AQA's anathology for Power and Conflict for Paper 2 English Lit GCSE. Also includes tips for the unseen poetry questions in Section C. Includes: -key quotes -context -comparable poems -themes -unseen poetry advice
Description: A powerpoint covering each poem in AQA's anathology for Power and Conflict for Paper 2 English Lit GCSE. Also includes tips for the unseen poetry questions in Section C. Includes: -key quotes -context -comparable poems -themes -unseen poetry advice
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Poetry
English Paper 2
Ozymandias - Perry Bysshe Shelley
Form:
Themes:
Sonnet (Shakespeare, Petrarchan, unknown)
Power of nature, critic of powerful
Structure:
Compares with:
One stanza
My Last Duchess, any poem about nature
Language:
Context:
“I met a traveller”
Romantic poet
“cold command”
Atheist
“hand that mocked”
Ozymandias resembles King George III
“boundless and bare”
King Ramseses II
London - William Blake
Form:
Themes:
Dramatic monologue
Misuse of power, suffering, power of man, place
Structure:
Compares with:
Iambic trentameter (one line has 7)
The Prelude, The Emigrée
Cyclical structure (suffering)
Context:
Language:
Songs of Innocence and Experience criticised
humans corrupting the world
“chartered Thames”
Against industrial revolution
“marriage hearse”
Disagreed with church but was was a Christian
“every black’ning church”
The Prelude - William Wordsworth
Form:
Themes:
Blank continuous verse, epic poem
Power of nature, inner conflict, power of man
Structure:
Compares with:
Enjambement
Any nature poem, Kamikaze, London, Tissue
Cyclical structure “stealth” “stole”
Context:
Language:
Romantic
“her” “its”
John Milton ‘Paradise Lost’ epic poem “elfin
pinnace” mythical language
“a huge peak, black and huge”
“views of man, nature and society”
“proud of his skill”
My Last Duchess - Robert Browning
Form:
Themes:
Dramatic monologue
Domestic power, power of man, control
Structure:
Compares with:
Rhyming couplets and enhancement
Ozymandias, COTLB (misuse of power resulting
in death)
One long stanza
Context:
Language:
Victoria vs Italian Renaissance
“my” “Frà Pandolf”
Attitudes to women = controlling
“which I have not”
“taming a seahorse”
“I gave commands”
Charge Of The Light Brigade - Alfred Lord Tennyson
Form:
Themes:
Ballad
Negative vs positive, misuse of power, war
Structure:
Compares with:
Six stanzas
Any war poem, Bayonet Charge, My Last Duchess
Dacylic dimeter (satire)
Context:
Language:
Cavalry were made up of upper class soldiers and
often weren't involved in battle
“all the world wondered”
Poet Laureate - subtle criticism
“theirs not to”
“jaws of death”
Exposure - Wilfred Owen
Form:
Themes:
Regular rhyme
Reality of war, conflict, nature
Structure:
Compares with:
Pararhyme
Any war poem e
...
Bayonet Charge, War
Photographer, any nature poem
Stanza structure to build tension, anticlimax
Context:
Language:
Revolutionary WW1 poet
“winds that knive us” “her melancholy army”
Abandoned religion “For love of God is dying”
“merciless iced east winds”
“but nothing happens” “black with snow”
Storm On The Island - Seamus Heaney
Form:
Themes:
Continuous verse
Power of nature and conflict
Structure:
Compares with:
Cyclical structure of pararhyme
Any nature poem
Enjambement
Context:
Language:
Extended etaphor of NI Troubles shows in mix of
English iambic pentameter and Irish phrases
“blasts” “pummels”
Stormont
“exploding comfortably”
Repetition of “company”
Bayonet Charge - Ted Hughes
Form:
Themes:
Blank verse
Horror of war, futility of war, following orders
Structure:
Compares with:
Starts in middle “suddenly”
Any war poem, particularly Exposure and
Kamikaze
Enjambement between stanzas and caesura ?
Context:
Language:
Father served in WW1
“raw” “like a flame” “etcetera” “patriotic tear”
“his terror’s touchy dynamite”
“smacking” “listening for reason”
Admired Wilfred Owen, similarities to ‘Spring
Offensive’
Remains - Simon Armitage
Form:
Themes:
Irregular rhyme and rhythm
Memories, can’t escape war, effects of conflict
Structure:
Compares with:
Caesura and volta
War Photographer, any poem with death e
...
My
Last Duchess
Changes from we to I
Context:
Language:
“blood-shadow” “week after week”
“rips through his life-”
“won’t flush him out”
Interviewed soldiers for 2007 collection of
poems
References to “desert sand” represent the Gulf
War
Poppies - Jane Weir
Form:
Themes:
Dramatic monologue
Domestic conflict and effects on family
Structure:
Compares with:
Enjambement onto different stanzas “slowly
melting”
Kamikaze, Remains, War Photographer
Context:
Caesuras vs strong form
Textile designer hence symbolism
Language:
Poppies and memory of WW1
“sellotape bandaged” “I was brave”
Ask to write by Carol Ann Duffy
“overflowing like a treasure chest”
War Photographer - Carol Ann Duffy
Form:
Themes:
Rhyme
Memories of war, civilian perspective,
impossibility to present horror of war
Structure:
Compares with:
Cyclical structure (war zone)
Remains or any other war poem
Staccato sentences interrupt smooth
Context:
Language:
1985
“ordered rows” “half formed ghost”
“all flesh is grass” “a hundred agonies”
“they do not care” “Belfast
...
Phnom Penh”
Vietnam war “running children in a nightmare
heat”
Tissue - Imtiaz Dharker
Form:
Themes:
Free verse
Fragility of man and power, inner conflict
Structure:
Compares with:
Enjambement: new topic before new stanza
The Prelude, Ozymandias
Stand alone line “turned into your skin”
Context:
Language:
Impressionistic
“transparent” “shines through”
Muslim Calvinist: “Koran” “alter things”
“fine slips from grocery shops” “maps”
God has power
The Emigrée - Carol Rumens
Form:
Themes:
Free verse
Power of place, imagination, identity, memories
Structure:
Compares with:
Enjambement and caesura
Checking Out Me History, London
Each stanza ends with “sunlight”
Context:
Language:
Émigré - forced to leave her country
“branded by an impression of sunlight”
Not a specific place, ambiguity
“bright, filled paperweight” “takes me dancing”
“time rolls its tanks” “my shadow falls”
Checking Out Me History - John Agard
Form:
Themes:
Oral and building rhyme scheme in stanzas
Identity, being out of place
Structure:
Compares with:
Enjambement and italic stanzas
The Emigrée
No punctuation
Context:
Language:
Born in South America and moved to England
“dem tell me” “carving”
Believes there is euro-centric twist to everything
“bandage up me eye” “yellow sunrise”
Kamikaze - Beatrice Garland
Form:
Themes:
Free verse and 3rd person to 1st person
Inner conflict, national duty, conflict, empathy
Structure:
Compares with:
Six lines per stanza
Poppies, The Prelude, Bayonet Charge
Enjambement
Context:
Language:
Japanese filter pilot suicide mission
“shoals of fishes” “like bunting” “boat safe”
Japanese military flag “sunrise”
“tuna,the dark prince, muscular, dangerous
...
2
...
4
...
6
...
Think about poet
Think about date
Literal, simple meaning
Poetic devices
Structure and form
Inconsistencies and deeper meanings
Answer question
Question 2
1
...
3
...
Repeat six steps
What are the poets’ points of views?
Is there a hidden meaning?
Effect on reader?
Title: AQA Power and Conflict Poetry Notes + Unseen Poetry
Description: A powerpoint covering each poem in AQA's anathology for Power and Conflict for Paper 2 English Lit GCSE. Also includes tips for the unseen poetry questions in Section C. Includes: -key quotes -context -comparable poems -themes -unseen poetry advice
Description: A powerpoint covering each poem in AQA's anathology for Power and Conflict for Paper 2 English Lit GCSE. Also includes tips for the unseen poetry questions in Section C. Includes: -key quotes -context -comparable poems -themes -unseen poetry advice