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Plato's Perspective on
Literature in The Republic
Exploring Mimesis, Moral Concerns, and Critiques of Artistic Representation

Plato’s Views on Literature from The Republic
The Concept of Mimesis (Imitation)
Plato's The Republic presents the concept of mimesis, which is central to his critique of literature
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Plato argues that literature, particularly poetry and
drama, are imitations of reality, not reality itself
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Thus, literature is two steps removed from
truth
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This bed
itself is an imitation of the ideal "form" of a bed, which exists only in the realm of forms
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  The Forms: These are perfect and immutable concepts or ideals that exist in a non-physical
realm
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Why Plato Considered Poetry and Drama Morally Dangerous
Plato believed that poetry and drama could mislead people by appealing to emotions rather than
reason
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For instance, dramatic portrayals of gods behaving immorally could lead audiences to question
the nature of virtue and morality
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His Views on the Moral Function of Literature

Plato acknowledged that literature could have a moral function if it was used to promote virtuous
behavior and reinforce societal values
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His ideal literature would educate and
improve the moral character of citizens
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Aristotle argued
that imitation is a natural human activity and is not inherently deceptive
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Aristotle’s View: Unlike Plato, Aristotle saw value in literature's ability to evoke emotions,
suggesting that it could lead to a purging or catharsis, helping individuals to manage their
emotions
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  Plato on Imitation: “The imitator… is not concerned with what is, but with what appears to
be
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Explanation: Plato warns against the deceptive nature of poetic inspiration, which can
skew perceptions and understanding
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His skepticism towards poetry and drama stems from his belief in controlling
emotional influence for the moral betterment of society
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